Suspense and Tragedy in RPG

5:58 AM Esteren 0 Comments

The english translation for the first part of Dearg, Shadows of Esteren’s official campaign is over. This first part will include some game aids and inserts with advice concerning how to handle the system of narrative arcs and Focuses, which is introduced and used in Dearg. This system was detailed in a previous post. Here is a sneak peek at one of these new game aids:

Suspense and Tragedy

The motor of a typical role-playing session is suspense: as they progress through the story, the Players remain unsure of what will happen next, anticipating plot twists and looking out for danger. Just like spectators following a movie, they are eager to know what will come next and fear for their Characters.

With the aforementioned introductory Focuses, things are different. Since these scenarios explore the PCs past, they tell a story that is already part of the Characters’ backgrounds and therefore cannot be changed. For example, in Eoghan’s Focus, Mael will die, no matter what the PCs do. This also applies to Finn’s, Adeliane’s, and Joris’s stories: Players who have read Book 1 – Universe will already be aware of decisive elements of their backstories.

As such, suspense cannot be the story’s motor or the source of the Players’ interest. Instead, the introductory Focuses draw from a different genre: tragedy. Since the Players may already know what their Characters are in for, what matters is not what is going to happen, but how. Experiencing the story becomes more important than the story itself or its conclusion. As a result, the Players and Leader can focus on the Characters, their feelings, and their development.

Marco Garro | Le Supplici di Euripide
Liceo Cagnazzi di Altamura - Festival del Teatro Classico dei Giovani 

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Looking for a female singer for the album Adeliane

1:38 AM Esteren 0 Comments

We are currently looking for a female singer for our next original soundtrack: Adeliane.

This upcoming album will be entirely composed by François Rousselot, the man behind the orchestral arrangement of Dearg, but also the original soundtrack for Mr Hublot, winner of the Oscar for best animated short film in 2014. Adeliane is inspired from the universes of Philip Glass, Agnès Obel, and David Darling.

This new album will contain a dozen tracks, at least four of which will require a singer. Here are two digital samples (which are not intended to include sung parts) that are far from the intended final result, but will give you an idea of the album’s mood:

We plan to organize several live sessions in 2017 and 2018, including June 3rd 2017 in Birmingham, England and October 27th 2017 in Essen, Germany. Two other dates are planned in France (in mid-October 2017 and November 2017)

Whether your style is similar to Dead Can Dance, London Grammar, is gospel-like, or lyrical, you can send us demos or videos at this address.

All profiles are accepted, from beginners to professionals. Payment is negotiable. Please tell us the country and and area where you live.

If you want to listen to the three albums we have released so far, you can visit our Bandcamp page


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